Today’s POP RESCUE is the 2000 The Remix Album: Diamonds Are Forever by Dame Shirley Bassey.
Hot on the heels of the success found by Tom Jones‘ Reload album, Bassey released this 10 track remix album.
Bassey had already had a hit along these similar lines, when she
The album opens with the lone single from this project – Where Do I Begin (awayTEAM Mix) which sadly, despite it being quite a sympathetic remix track, failed to rate in the UK singles chart.
Next up is one of what is probably the biggest Bassey hits, Goldfinger (Propellerheads Mix). It opens similarly to History Repeating, before the big familiar musical opener from this song breaks in. A new bassline, beats, some funky wah, and a few scatterings of piano are added to the track. Shirley’s vocals belt out as usual, but this remix feels a little reluctant. Even in the sleeve notes, Alex Gifford of The Propellerheads is even quoted as saying ‘What can you do but screw it up?’. Remixing Goldfinger is a mistake.
Next up is Bassey’s version of The Doors‘ track Light My Fire, again another great track in its own right. This time, Kenny Dope is on remixing duties, and he’s gentle with it. This mix works, because it feels fairly hands-off.
This is followed up by Diamonds Are Forever (Mantronik 007 Mix) in which of course, Bassey shines. Mantronik does appear to switch a keyboard demo on, and press the ‘fill’ button a few times after a few opening bars. The only real redeeming feature of this mix is the repetition of the ‘diamonds are forever, forever, forever’ line.
Easy Thing To Do (Nightmares On Wax) is up next, and this is a Bassey track that I don’t recognise. It’s the first ballad on the album, and it’s fairly chill-out. Inoffensive and fairly forgettable really.
Some heavy beats usher in the Never Never Never (Groove Armada Mix), pretty much in tune with Groove Armada’s sound at the time (this was released a year after their Vertigo album). The remix is kind of lost on it. Bassey’s vocals have been affected, and feel a bit like they are playing second-fiddle to the track itself (as if they were just shoe-horned into an existing vocal-less track).
Shirley’s big camp-classic gets the remix treatment next – Big Spender (Wild Oscar Remix)… and this, along with the opening track, is probably the best remix here. It’s very fast, but suitably so and the song feels like it’s been built on.
Next up, is Spinning Wheel (DJ Spinna Remix), which is a pretty funky track, but i’m not familiar enough to really spot the remixing, aside from the record scratching samples and vocal effects.
Penultimate track Light My Fire (Twelftree’s Lady Mix) is a different kind of remix than Kenny Dope’s, and feels like it was much more of a remix, rather than sympathetic update to a classic.
If You Go Away (DJ Skymoo Mix) closes the album, and it’s builds up and up, and is a perfect album finale, although its remix feels a bit dated now. It does at least allow Shirley to close the remix in the same way as the normal track – with just her vocals against a guitar.
Whilst on paper, this probably sounded like a good idea. I think that it is evident that ultimately, classic Bassey tracks shouldn’t be messed with.
Her recordings act as classics. They are benchmarks in stylistic music or a certain era and of a certain type of performer. Only Wild Oscar, the awayTEAM, and to some degree, Twelftree too, achieve something good here, and I’ve never heard of them since.
Where is Dame Shirley Bassey now?
Seventy-seven year old (as of 2014) Dame Shirley Bassey repeatedly turns up in newspapers, on TV shows, and continues to tour.
After this album, she found fame again in 2007 with a #6 UK album titled Get The Party Started which featured yet more remixes of past hits, and two new recordings including the Pink title track – which was used in an advertising campaign by Marks and Spencers, and the lead single The Living Tree.
POP RESCUE RATING
- POP RESCUE 2014 RATING: 2 / 5
- 2000 UK CHART POSITION: #62
- POP RESCUE COST: £1.00 from an RSPCA charity store.